<\/p>\n\n\n\n
<\/p>\n\n\n\n
The Ambiguous fate of Being Human : The poetry of Gieve Patel,<\/strong> \u201cOsmania Journal and English Studies <\/strong>(OJES), Hyderabad : Department of English, 1977, pp.173-186<\/p>\n\n\n\n \u201cRavuri Bharadwaja and the Telugu Realistic Novel<\/strong>\u201d, Deccan Chronicle (Sunday Edition), July 8. 1979<\/p>\n\n\n\n \u201cA Selection of Sarojini Naidu\u2019s Poems<\/strong>“- with Notes and Annotations, OJES, Vol. VI, No.1 (1980), pp. 56-74<\/p>\n\n\n\n \u201cFolk Art Forms of Andhra Pradesh<\/strong>, Telugu Vani<\/em><\/strong> Journal of International Telugu Institute), Jan 1983, pp 9-22.<\/p>\n\n\n\n \u201cTowards an Instant Theatre : Fragmentation and Functionalism in Folk Performing Arts<\/strong>\u201d, New Delhi : Sangeet Natak<\/em><\/strong>, (Journal of Sangeet Natak Academy) Nos. 64-65 (Apr-Sept), 1982, pp 8-15<\/p>\n\n\n\n \u201cBellari Raghava and Telugu Theatre<\/strong>\u201d, Sangeet Natak <\/em><\/strong>No.57, (July-Sept, 1980), pp 5-13.<\/p>\n\n\n\n \u201cSociety and Telugu Drama<\/strong>\u201d, Natya Kala<\/em><\/strong>, (Journal of A.P. Sangeet Natak Academy), Hyderabad, 1982, pp.85-92<\/p>\n\n\n\n \u201cTolu Bommalata, the Shadow Puppet Theatre of Andhra Pradesh<\/strong>\u201d, Sangeet Natak<\/em><\/strong>, 74 (Oct-Dec, 1984), pp.5-15.<\/a><\/p>\n\n\n\n \u201cRavuri\u2019s Bharadwaja\u2019s\u2019 Kadambari <\/em><\/strong>: an Appraisal\u201d, Kadambari : <\/strong>An Anthology of Essays, Hyderabad, 1986<\/p>\n\n\n\n \u201cVeturi Prabhakara Sastry and Classical Dramatic Tradition<\/strong>\u201d, Rupaka Manjari, <\/em><\/strong>special Theatre Number of Veturi\u2019s plays, Hyderabad : Veturi Prabhakar Sastry Memorial Trust, 1987, pp iii-xiv.<\/p>\n\n\n\n \u201cThe \u2018Proviso\u2019 Scene in Congreve\u2019s<\/strong> The Way of the World, Osmania Juornal of English Studies<\/em><\/strong>, 1981, pp. 35-46<\/p>\n\n\n\n \u201cThe Shadow Puppet Theatre of Andhra Pradesh<\/strong>\u201d, Sangeet Natak<\/em><\/strong>, No.98 (Oct-Dec., 1990), pp 15-28, Special issue on Indian Puppetry<\/a><\/p>\n\n\n\n \u201cThe Rise and Fall of the Telugu Padya Natakam<\/strong>\u201d, Indian Theatre Journal, <\/em><\/strong>2Hyderabad : Osmania University, 1984, pp. 3-16<\/p>\n\n\n\n \u201cMajor Telugu Playwrights and their Representative Plays : An Annotated Checklist<\/strong>\u201d, Indian Theatre Journal <\/em><\/strong>, 3, Hyderabad, :Osmania University, 1986, pp.1-24.<\/p>\n\n\n\n \u201cFilming a Classic : Kanyasulkam<\/strong>\u201d, \u201cDouble Vision : Literature and Films\u201d<\/em><\/strong>, P. Shivakumar and T.Vinoda (ed), Warangal : Kakatiya University, 1994, pp. 111-122.<\/p>\n\n\n\n \u201cAcharya Atreya and the Telugu Theatre\u201d,<\/strong> Indian Theatre Journal, <\/em><\/strong>5 (1987), Hyderabad : <\/em><\/strong>Osmania University, pp.1-16.<\/p>\n\n\n\n \u201cFolk Theatres of South India\u201d, : Some Performative Paradigms<\/strong>\u201d, Dakshinatyula Janapada Kala Rupalu <\/em><\/strong>(South Indian Fold Performing Arts) G. Nagaiah (ed.), Tirupathi : S. V. University, 1991, pp.127-142.<\/p>\n\n\n\n \u201cYakshagana Traditions in Andhra<\/strong>\u201d, Keynote Address at The National Kuchipudi Festival conducted by the Central Sangeet Natak Academy, Hyderabad, 1999. Published in the Annual Souvenir of the Melattur Bhagavatha Mela Sangam, <\/em><\/strong>, Melattur, 1994 pp.13-27<\/p>\n\n\n\n Ammannur Madhava Chakyar : A Trail-blazing Thespian<\/strong>, Nartanam <\/em><\/strong>(Editorial), Vol VIII, No.2 (May-Aug.,2008), pp. 5-13.<\/a><\/p>\n\n\n\n \u201cTowards the writing of Histories of Indian Dance Traditions\u201d,<\/strong> Nartanam<\/em><\/strong>, (Editorial Essay), Vol IX, No.1, (Feb-Apr.,2009), pp. 5-8<\/p>\n\n\n\n \u201cBalasaraswathy\u2019s Many \u2013 splendoured Genius<\/strong>\u201d. Nartanam<\/em><\/strong>, (Special Number on Balasaraswathy), Vol. IX, No.4, (Nov-Dec, 2009), pp. 5-28.<\/a><\/p>\n\n\n\n \u201cSome Distinguished Disciples of Guru Meenakshi Sundaram Pillai<\/strong>\u201d, Nartanam<\/em><\/strong>,Vol. V. No.2., (April-June, 2010), pp. 43-54.<\/a><\/p>\n\n\n\n \u201cThe Unified Vison of Guru Meenakshi Sundaram Pillai<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol. V. No.3, (July-Sept., 2010), pp.18-38.<\/a><\/p>\n\n\n\n \u201cNataraja Ramakrishna : A Tribute<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol. XI, No.8 (April-June 2011), pp. 125-136<\/p>\n\n\n\n \u201cVedantam Lakshminarayana Sastry : His Life, Times and Achievement\u201d<\/strong>, Nartanam<\/em><\/strong>, Vol. II, No.2 (Arpil-June, 2002), pp. 7-27.<\/a><\/p>\n\n\n\n \u201cAnanda Coomaraswamy : Contribution to Indian Dance Criticism<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol II, No.3, (July-Sept, 2002), pp. 7-25.<\/a><\/p>\n\n\n\n \u201cThe Making of a Dance Drama : The case of Rukmini Devi\u2019s Kutral Kurvanji\u201d<\/em>,<\/strong> Nartanam<\/em><\/strong>, Vol. III, No.2 (April-June, 2003), pp.62-76<\/a><\/p>\n\n\n\n \u201cRukmini Devi<\/strong>\u201d: Editorial, Nartanam<\/em><\/strong>, Vol III, No.2 (Apr \u2013 Jun, 2003), pp. 1-2.<\/p>\n\n\n\n \u201cRam Gopal and his World of Dance : An Essay in Visuals<\/strong>\u201d. Nartanam<\/em><\/strong>, Vol. III, No.4, (Oct-Dec, 2003), pp.35-50.<\/a><\/p>\n\n\n\n \u201cGuru Kelucharan Mohapatra : Chronology of Events<\/strong>\u201d , Nartanam<\/em><\/strong>, Vol.IV, No. 2, (Apr-Jun 2004), pp1-2 & pp.67-74.<\/p>\n\n\n\n \u201cThe Artist Visionary : Guru Vempati Chinna Satyam\u2019s Contribution to Kuchipudi<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol.IV, No.3 (July-Sept, 2004), pp. 5-22.<\/a><\/p>\n\n\n\n \u201cBharatanatyam : A Mission and an Obsession : The strory of the USK Couple<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol V, No.1, (Jan-Mar, 2000), pp.7-14<\/a><\/p>\n\n\n\n \u201cInternational Dance Day<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol V, No. 2 (Apr-Jun), pp. 1-4.<\/p>\n\n\n\n \u201cThe Man who Beguiles Women : Vedantam Satyanarayana Sarma<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol. V. No.4, (Oct-Dec, 2005), pp. 5-20.<\/a><\/p>\n\n\n\n \u201cKorada Narasimha Rao : A Tribute<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol Vi, No. 1 (Jan-Mar, 2005), pp.7-24<\/p>\n\n\n\n \u201cNataraja Ramakrishna : Crusader and Visionary\u201d,<\/strong> Nartanam<\/em><\/strong>, Vol.VI, No.3 (July-Oct, 2006), pp. 7-24.<\/a><\/p>\n\n\n\n \u201cTributes to a Septagenarian Guru Birju Maharaj<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol. VII, No.2 (Apr-July, 2007), pp.5-11<\/p>\n\n\n\n \u201cJayadeva\u2019s Gita Govind : <\/em>Architectnoics of Love and Religion in Dance<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol. VII, No.3, (Aug-Oct, 2001), pp. 5-14.<\/a><\/p>\n\n\n\n \u201cOld Moorings and New Pastures : Dance Scenario in Post-Independent India : An Overview<\/strong>\u201d, Nartanam<\/em><\/strong>, Vol VII, No.4 (Nov\u201907-Jan\u201908), pp. 5-22.<\/a><\/p>\n\n\n\n \u201cTelugu Theatre<\/strong>\u201d, Oxford Companion to Indian Theatre <\/strong>ed. By Ananda Lal, New Delhi, Oxfor University Press, 2004 pp. 376-482.<\/p>\n\n\n\n \u201cDance, Theatre and Yakshagana in Andhra, 1324-1724<\/strong>, Comprehensive History and Culture of Andhra Pradesh, <\/strong> Vol.<\/em> V., : Late Medieval Andhra Pradesh, <\/em><\/strong> ed. by R. Soma Reddy. Hyderabad, Andhra Pradesh History Congress and Potti Sreeramulu Telugu University, 2014, pp 535-563.<\/p>\n\n\n\n \u201cPost-Independence Telugu Drama\u201d, <\/strong> South-Indian Literatures : Andhra Pradesh\u201d, C Srinath (ed.) Mysore 2013.<\/a><\/p>\n\n\n\n \u201cKanyasulkam\u201d <\/em><\/strong>in a Global Context, \u201c A Century\u2019s Quest for the Foot-Prints, <\/strong> Rajam : Velugu Publication, 2015.<\/a><\/p>\n\n\n\n \u201cLiterature on Dance, Drama, Music and Visual Arts : A Bibliographical Essay<\/strong>\u201d, <\/strong> Comprehensive History and Culture of Andhra Pradesh<\/strong><\/em>, Vol. IX, edited by Prof. V. Ramakrishna and others, Hyderabad : Emesco Books, 2018.<\/p>\n\n\n\n \u201cUnderstanding the Cultural Ethos and Community Needs : the PAT Kathas of Telangana<\/strong>\u201d, in Socio-Economic<\/strong> and Cultural conditions of PAT and PAT Performers in Telangana, Dalit and Adivasi Adhyayana and Anuvada, Kendram, Hyderabad University, 2016. (Read as Key-note address, being Published by the Dept.)<\/p>\n\n\n\n Performing Arts in Andhra : Dance, Drama and Yakshagana (1324 A.D. \u2013 1724A.D)<\/a><\/strong><\/p>\n\n\n\n Chinta Venkataramaiah and the Kuchipudi Yakshagana Tradition<\/a><\/strong><\/p>\n\n\n\n Characteristics of Folk Theatre : Some Postulates<\/a><\/strong><\/p>\n\n\n\n Major Exponents of Kathak from the Early Times to Mid – 20th C. : An Overview<\/a><\/strong><\/p>\n\n\n\n Report on \u201cBommalata Utsavam\u201d at Warangal, Jan 18-24, 2008<\/a><\/strong><\/p>\n\n\n\n Origins of Telugu Theatre<\/a><\/strong><\/p>\n\n\n\n Theatre Arts : An Introduction<\/a><\/strong><\/p>\n\n\n\n “Padya Natakam”: The Musical Play of Andhra Pradesh<\/a><\/strong>, Indian Theatre Journal, Vol 5, 90-91, Osmania University<\/strong><\/p>\n\n\n\n Directors” note on “Narajati Charitra Samastham….”<\/strong><\/a><\/p>\n\n\n\n Clay Carts and Traffic Jams <\/a><\/strong><\/p>\n\n\n\n Gurazada’s Kanyasulkam in a Global Contex<\/a><\/strong><\/p>\n\n\n\n Telugu Theatre in Hyderabad : the Post Independence Era<\/a><\/strong><\/p>\n\n\n\n Sekapurusha – Vedantam Raghavaiah<\/a><\/strong><\/p>\n\n\n\n Kuchipudi Kalapas : The Glorious Dance Form of Andhra Pradesh<\/a><\/strong><\/p>\n\n\n\n